|Statement||by Michael Hays.|
|Series||Theater and dramatic studies ;, no. 6|
|LC Classifications||PN2634 .H3 1981|
|The Physical Object|
|Pagination||xvii, 166 p. :|
|Number of Pages||166|
|LC Control Number||81016008|
In The SpotLight: Overcome Your Fear of Public Speaking and Performing is a perfect book for those who are afraid of speaking or performing in front of others. This book provides many different methods and strategies to help you get beyond stage fright and learn to Cited by: 4. The public performance of a song almost always requires a license. In contrast, the license requirement to perform a sound recording in public are more limited, applicable typically only when the sound recording public performance is offered via the internet or via other digital means. • The definitive book on overcoming performance anxiety • Helpful for performers of all types: salespeople, executives, teachers— anyone who must speak in public • Practical, step-by-step guidance plus spaces for journaling and interactive exercises • Replaces ISBN , Fearless Presenting/5(7). ASCAP licenses the public performances of its members' musical works. A public performance is one that occurs either in a public place where people gather (other than a small circle of a family or social acquaintances). A public performance is also one that is transmitted to the public, for example, radio or TV broadcasts, and via the Internet.
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The spread of mobile communication, most obtrusively as cell phones but increasingly in other wireless devices, is affecting people s lives and relationships to a previously unthought-of extent. Mobile phones, which are fast becoming ubiquitous, affect either directly or indirectly every aspect of our personal and professional lives. They have transformed social practices and changed the way 4/5(2). The performance rights sector illustrates how music plays a vital part in driving a much broader range of economic activity. IFPI works with music licensing companies across the world to help ensure that those who produce and perform music used for public performance and broadcast are fairly rewarded for . Limitations on exclusive rights: Ephemeral recordings 46 (a)(1) Notwithstanding the provisions of section , and except in the case of a motion picture or other audiovisual work, it is not an infringement of copyright for a transmitting organization entitled to transmit to the public a performance or display of a work, under a license, including a statutory license under section (f. Search the world's most comprehensive index of full-text books. My library.